Author: ashokkarania

  • Phir Aayi Hasseen Dillruba: Tapsee Hasseen, Movie Not A Dillruba

    Phir Aayi Hasseen Dillruba: Tapsee Hasseen, Movie Not A Dillruba

    Phir Aayi Hasseen Dillruba: Tapsee Hasseen, Movie Not A Dillruba

    “Jo pagalpan ki hadd se naa guzre woh pyaar hi kya kyunki hosh mein toh rishte nibhaye jaate hain”

    After successfully outwitting the cops, Rani (Tapsee) and Rishu (Vikrant) emerge in Agra, from where they are planning to escape to Thailand and start a new life. The arrival of a cop (Jimmy Shergill) with personal agenda nudges Rani to seek help of a smitten admirer Abhimanyu (Sunny Kaushal). The game of snakes and ladders comes alive!

    Tapsee sums up the proceedings as LSD – Another iconic movie!

    The movie fails to build on the magic of the original Haseen Dillruba – which was an engaging, intriguing small-town thriller. The sequel is a laboured effort with a weak screenplay, predictable storyline and too many twists! The reopening of the case or marriage are clearly too convenient while the use of literary allusions seems forced. The audience is intelligent and is unforgiving of lazy loopholes!

    Loved the cinematography for beautifully capturing Taj Mahal and revealing the balance of fate in a fair swing!

    Hasseen Dillruba Tapsee Pannu continues to shine and is the anchor of the movie – It’s her show! Vikrant Massey is impressive but does seem like a baggage with too little to do. Even the ever-reliable Jimmy Shergill’s as cop Montu and sincere Sunny Kaushal are average.

    Phir Aayi Hasseen Dillruba: Tapsee ki wapsee fails to make an impact!

  • Maharaja Review: Vijay Sethupathi’s Mind-Blowing Emotional Revenge Thriller

    Maharaja Review: Vijay Sethupathi’s Mind-Blowing Emotional Revenge Thriller

    Maharaja Review: Vijay Sethupathi’s Mind-Blowing Emotional Revenge Thriller

    Vijay Sethupathi’s Delivers A Knockout Performance In His 50th Appearance

    A bruised middle-aged father visits a police station and wants action against three criminals who stole his “Lakshmi” – a dustbin which has a special value in his life. As the movie progress, parallel tracks and juxtaposed scenes come together to reveal a shocking and heartbreaking climax.

    Vijay Sethupathi’s masterclass acting is the highlight of the movie. He is truly the Maharaja of acting and it shows! Anurag Kashyap fails to leave a mark.

    I loved the smart and intelligent use of metaphors – especially snake. While the climax is what has set everyone talking it was not unpredictable. Lots of scenes are rushed and engineered.

    The director uses “shock and awe” technique. The truck crash, the snake, the non-linear narrative, multiple characters – all are designed to amplify the mystery and engage the audience.

    Maharaja is essentially a father daughter story showcasing the law of karma at work. Packaged emotionally and symbolically designed to leave a strong impact! Worth a watch!

  • Kalki 2898 AD: Actor Amitabh Aces In Hollywood Challenging Visual Extravaganza

    Kalki 2898 AD: Actor Amitabh Aces In Hollywood Challenging Visual Extravaganza

    Kalki 2898 AD: Actor Amitabh Aces In Hollywood Challenging Visual Extravaganza

    An Epic Story Meets Futuristic SciFi To Create Dystopian World

    A Mesmerizing Grand Spectacle Meets Hollywood Vision & Scale

    A Pack Of Legendary Actors Showcasing Their Best Craft

    Kalki Is An Indian Triumph – Creating A Deeply Cultural Mythological Art With World-Beating Best In Class Production Values!

    A Feast For Eyes That Could Have Been A Feast For Soul – But That’s A Debate Worth Having Over Ginger Enhanced Strong Tea!

    The Modern Avatar Of Lord Vishnu Is To Be Born In The Post Apocalyptic World In Year 2898 AD – 6000 Years After Kurukshetra War. Th Evil Forces Are At Is Peak Through Totalitarian Supreme Yaskin & His Team’s Devil Designs & Actions. Kashi Is The Last Surviving City & Yaskin Is Driving A Secret Project K. Rebels Attempt To Save The World From Their Multi-Race Multi-Cultural Multi-Religious Place Shambala.

    Amitabh Bachchan Is The Powerhouse Who Carries The Movie With An Acting Masterclass – Living The Character In Totally Engaging Manner! Prabhas Continues To Underwhelm & Is Victim Of Poor Scripting. Kamal Hassan Is Introduced Strongly & Impactfully But He Has Limited Presence.

    Much Like History, Women In Kalki Have Very Marginal Role. Deepika Is A Guinea Pig Whose Sole Purpose To Give Birth. Disha Patani Does What She Does Best In Her Instagram Post – Exhibiting Her Curvy Toned Sculpture. Mrunal Thakur & Shobhana Have Small Roles While Dulquer Salman, Vijay Deverakonda Ram Gopal Varma & S S Rajamouli Star With Their Cameo Presence!

    Long After The Credits Roll, The Lasting Feelings Of Mind-blowing VFX, Mahabharata Meets Hollywood Scale & Grandeur Will Remain. The Screenplay & Editing Are Very Weak With So Musical Notes That Strike A Chord. Hats To Off Production Team, Cinematographer & Of Course Director Nag Ashwin.

    When A Midnight Show On Day 30 Is Housefull – The Movie Is Universally Accepted. By The Time You Read This, It Would Have Overtaken Jawan To Become The Biggest Movie!

    Kalki 2898 AD – A Cinematic Experience To Watch On Big Screens Only!

  • AI Business Pitches Of Young Zebar Prodigies

    AI Business Pitches Of Young Zebar Prodigies

    The future is bright!

    The future is all-right!

    When the young talented minds talk GenAI Business and present pitch decks its indeed heartening and happening!

    When the prodigies leverage Artificial Intelligence to address India’s ground challenges, Viksit Bharat (Developed India) is inevitable!

    Happy and honoured to interact with the brilliant and smart young students of Zebar School for Children. AI Summer Internship students showcased their unique and innovative AI-based business ideas. Each one was full of promise – waiting for some to actualise real soon!

    Cheers to Zebar School for providing the futuristic exposure to students and giving him an early advantage. Applause for Executive Director Mr Manan Gautam Choksi and Principal Ms Sharmistha Sinha. Special mention to BehaveNeu Team’s Mr Shyam Parmar and Mr Neel Patel for working with the kids throughout the internship and mentoring them on technology and life skills – this goes a long way!

    Apart from the great learning experience, it was wonderful to interact with UNESCO’s Ms Meenakshi Shear and NID Business Incubator NDBI CEO Mr Amit Jain

    #zebar #zebarschool #ai #genAI #artificialintelligence #startups #innovation #behaveneu #unesco #NID

  • Kakuda Review: Fresh Fun Folklore Gives Frail Fear

    Kakuda Review: Fresh Fun Folklore Gives Frail Fear

    Kakuda Review: Fresh Fun Folklore Gives Frail Fear

    The horror comedy’s premise is refreshing and interesting: Every Tuesday evening at the designated time, the small door next to the main door needs to be opened by a family male, else the devilish mythical ‘Kakuda’ would strike. The victim would develop a hump and the person dies within 13 days.

    A newly wed couple Sonakshi and Saqib get entangled in the Kakuda folklore when the groom is late to open the door and he is marked for death. Riteish is the ghost hunter, who comes to their rescue and helps to set the house in order.

    The film has a great cast, strong performances and nice comic timing but it fails to make an impact due to weak ghost, half baked plot and hurried ending! Riteish is impressive with excellent acts by Saqib Salem and Sonakshi.

    A nice fun one time watch – Not in the class Stree!

    Disclaimer: The movie was shot at the family establishment of the reviewer.

  • Maharaj Review: Yashrajified Movie Derails Strong Story & Junaid Debut

    Maharaj Review: Yashrajified Movie Derails Strong Story & Junaid Debut

    Maharaj Review: Yashrajified Movie Derails Strong Story & Junaid Debut

    Nothing controversial about the movie – a reiteration of how institutionalised and cult-driven religious practices become the very evil they claim to fight against! Maharaj is indeed an important story that needs to be told!

    The movie is based on the landmark case of 1862 where Gujarati social reformer activist journalist Karsandas Multi (Junaid) exposes religious leader Jadunath Maharaj’s (Jaideep Ahlawat) predatory sexual exploitation and rape of women devotees in the name of ‘Charan Seva’. Karsandas is a progressive liberal who overcomes his personal demons to travel the path of great leaders like Raja Ram Mohan Roy.

    The premise and plot is very strong but forced punchlines and Yashrajification weakens the impact. Aamir Khan’s son Junaid is earnest and does a fine job – impressive start and a brave choice for zero fanfare debut. Jaideep rocks with his solid performance.

    Maharaj – A though provoking movie that fails to make a strong impact!

  • Gullak: Heartwarming Sunshine Show Is India’s Finest!

    Gullak: Heartwarming Sunshine Show Is India’s Finest!

    Gullak: Heartwarming Sunshine Show Is India’s Finest!

    Navigating The Life & Times Of Middle Class Mishra Family With Impeccable Wit & Humour! Watch The New Anecdotes Around Decluttering, Bribe, Parenting & Adulting – The Last Episode Is A Deeply Moving One!

    Gullak’s Monologues, Quirky Dialogues, Strong Script, Excellent Performances, Impeccable Chemistry Of Cast, Solid Direction Continue To Keep It India’s Finest Show Of Recent Times. Gullak Season 4 Gets Better – Defying The Law Of Diminishing Returns!

    And Yes, Gullak 4 Beats Panchayat 3!

    A Must Watch!

  • Manthan: The Amul Story Of Influencing Change – India’s First Crowd Funded Movie

    Manthan: The Amul Story Of Influencing Change – India’s First Crowd Funded Movie

    Manthan: The Amul Story Of Influencing Change – India’s First Crowd Funded Movie

    Manthan is a pathbreaking work showcasing the power of cinema to inspire change – The classic movie has been funded by 500,000 farmers of Gujarat, inspired by the Father of White Revolution Dr Kurien and directed by legendary Shyam Benegal.

    An idealist Dr Rao (Girish Karnad) and his colleagues arrive in a typical Gujarat village to setup a milk cooperative society. The virtuous vet makes a statement from the first frame by refusing to board a overloaded horse cart and prefers a long walk. He is the change agent whose presence challenges the status quo and upsets the power equations. The upper caste milk trader has created a systematic well-oiled machinery to socio-economically exploit the poor villagers. The upper caste village headperson (Sarpanch) must ensure his power structure for winning the elections and has personal grudges against the other caste members. The less privileged members of the villages (Dalits) are sceptical of the new society and fear that this will be another upper-caste urban scheme. A volatile and outspoken villager Bhola leads the lower caste brigade. Dr Rao and his team tirelessly work to evangelise the vision and enrol the members to the benefit of the society which will also unleash a social change and overall empowerment in the village.

    Dr Rao and his colleagues get entangled in the political and social issues in the village eventually leading to Dr Rao’s unceremonious and quiet exit. Bhola, the outspoken firebrand Dalit villager who starts patronising and supporting Dr Rao after initial mistrust, emerges as the real hero. He understands the intricacies of the hierarchical structures and local power games – he rallies the villagers and inspires them to march towards the promised change. He is voice of the bottom and harbinger of hope. The community finally learns to stand up on its own feet.

    The beauty of Manthan is its multiple layers and the arc of all characters. All hues of caste, ethics, privilege and gender are explored and showcased by a dream cast of performers par excellence! Doing good is never an easy job nor is unleashing change!
    Excellent performances, compelling story, great screenplay, sensitive direction and simple tone make it a true classic. The haunting national award-winning song ‘Mero Gaam Katha Parey’ elevates the movie. It lightens up the screen and stays with you long after. Definitely heartening and happy moments for us as we celebrate its showcase at the 77th Cannes Film Festival

    Manthan is a great work of cinema, and the Cannes Classic showcase gave us an opportunity to revisit the movie. But I could not agree with the narrative and certain aspects of the movie.

    My biggest grouse against the movie is its total disregard for women – while it aims to create a caste less society and empower less privileged citizens, it ignores and belittles the biggest and most affected constituency of the society. Dr Rao does not stand up and support Bindu – a headstrong village woman who is a victim of her husband’s atrocities and was shattered after the death of her income generating cow. He lets her down when she needs the most help – he fails to help even through humanity and words, forget leveraging and showcasing cooperative’s power to help in distress. Idealism is in action and not words. In fact, the way he took the milk samples from her despite her refusal seemed an overstep and undermining the independence and authority of Bindu. She has feelings for Dr Rao and she ends ups a voiceless useless tool.

    The way an idealist like Dr Rao treats his wife may succeed in showing him as a man with flaws but it is not consistent with overall image and persona. Maybe she has a different take on life, Dr Rao’s treatment to her highly objectionable.

    Dr Rao punishes his colleague by sending him away for having a relationship with a village girl – but should he not have asked for the colleague’s perspective or the wishes of the village girl? Was he brash or did he see this incident just as an opportunity to establish trust or win the confidence of Dalit men in the village? Or he felt guilty of his feelings for Bindu and this was an abrupt reaction and expression of his inner conflicts?

    Should Dr Rao have left without meeting villagers? What happens to Bindu?

    Thanks to Dr Margie Parikh for her insightful views and thoughts as we analysed the movie post its digitally restored avatar screening! And I know our dissections will continue….

    Manthan is indeed a thought-provoking complex movie!

    Worth a watch! And definitely worth a lot of discussions!

  • Global Ignite Week – Scaling Impact

    Global Ignite Week – Scaling Impact

    The world becomes a better place when all of us act together!

    Ecstatic and happy with the inspiring ideas, passionate work and collaborative spirit of Apexon Associates to influence and create change! Servant leadership in action!

    Through Global Ignite Week, Apexon Associates with their friends and families shared their energy, time and talent to contribute to the immediate community and larger environment.

    Quick Snapshots:

    – Over 500 Apexon Associates contributed a total of 2500+ hours to various initiatives, showcasing their dedication to making a positive impact.

    – Painted 7 schools, transforming more than 28,000 square feet of space into vibrant learning environments.

    – Served over 75,000 meals and packed 500 boxes for those facing food insecurity, bringing nourishment and hope.

    – 2,800 Apexon Employees embraced environmental stewardship by adopting and caring for plants, fostering a greener future.

    A heartfelt thank you to everyone for the enthusiasm during Global Ignite Week 2024.

    A big thanks to Sriniketh Chakravarthi, Anand Kabra, Vinu Venkatesh, Vijay Talreja , Nitesh Palresa, Pradeep Anthony, Sandhiya Thiruvengadam, Jo Ramsey FCIPD, Tina Rowarth, Pravinsinh Rathod, Rathod Chetan, Sejal Bavishi, Nancy Sequeira, Nitin Nikumbh, swapnika kanagala, Gokulnath Sivashankaran, Kiruthika Ravichandran, Poorani Balasubramaniam, Jaspreet Singh, Krunal Sagan, Jankit Shah, Manish Shirvalkar, Chetan Jadhav, Geetanjali Sahni & all who made this possible!

    Thanks Rutesh Shah, Manish Mathuria, Vamsi Kora, Radha Krishnan, Sumithra Gomatam, Somesh Khanna

  • Sightless, Not Visionless

    Sightless, Not Visionless

    True Visionary

    Change Maker

    Successful Entrepreneur

    Highly Inspiring

    MIT’s First International Visually Impaired Student

    Indian President Abdul Kalam’s Hero

    Forbes Asia’s 30 Under 30

    What a list of accolades! Srikanth Bolla’s is an inspirational figure with hordes of achievements that even fully abled can only dream of! Srikanth is a visionary who happens to be visually challenged.

    I had the great honour of interviewing the legendary Srikanth Bolla in a fireside chat at Apexon. Anand Kabra, our Chief People and Transformation Officer, facilitated the event as part of Celebrating Apexon.

    Srikanth shared his journey from a sightless newborn to an award-winning industrialist.Srikanth’s life is indeed extra ordinary – an ecstatic father names his son after legendary cricketer Srikanth but is shattered to see a sightless baby. He is about to be buried alive, but mother begs for his life and saves him. The bullying in school, the rise in a special school, fighting and winning the case against Indian education system for not allowing visually challenged students to study science, getting a place in Indian cricket team, rejection by Indian Institute of Technology (IIT), selection by Massachusetts Institute of Technology (MIT), life in America, return to India, struggles for setting up his business and his entrepreneurial success. He was President Abdul Kalam’s hero and he invested in Srikanth’s startup.

    Srikanth shared the journey of his life with all the ups and downs with an unprecedented level of candour and authenticity – he even revealed his mistakes and bad habits.

    Apexon associates and their family were highly inspired by Srikanth and the non-stop flow of questions was a proof of his impact.

    A few excerpts of Srikanth’s quotes:

    I am sightless, not visionless. Sight is of the eyes, but the vision comes from the mind.

    I can do anything.

    The challenges, insults and bullying motivated me further to do well in life.

    The fight is in my internal DNA. I will not accept things as they are – I will fight for the change. I am not afraid of anyone or anything.

    I believe in equality and equal ability. I do not want reservation, nor I tick the ‘blind’ column in any form.

    I aspire to be India’s first visually challenged president. India can be a first world country. And I have a vision for the new India.

    Loneliness is the biggest poverty.

    I am a workaholic and restless person, but I do appreciate and endorse the need for a healthy work life balance.

    My company employees’ people with all different abilities. I believe compassion is what makes you rich.

    My favourite movies are Mahanati, Dhoni, and Soorarai Pottru. I can watch my favourite movies even 100 times.

    I would love to play myself in a movie.

    Srikanth movie was made in 41 days, and everyone was very committed. The movie was made in 20% less than allocated budget. Sharad Kelkar charged only Rs 111 for the movie.

    Tu Mil Gaya is my favorite song from Srikanth movie

    I love non-vegetarian food.

    Truly, it was an amazing and enchanting evening with Srikanth who indeed is a living example that everything is possible when one has a clear goal and is totally determined! If Sri can, so can we!