Tag: OTT

  • Bakaiti: Middle Class Mayhem Minus The Gullak Magic

    Bakaiti: Middle Class Mayhem Minus The Gullak Magic

    The struggles of the middle class captured in the new slice-of-life story – the constant bickering, money crunch, and endless family drama. The intent is heartfelt, but it never quite reaches the charm and depth of Gullak, which remains the gold standard in this space.

    The Ghaziabad based Katarias have monetary challenges and the low bank balance impacts all areas of life. They decide to rent out a room in the ancestral property to ease the financial crunch – much to the dismay of extended family members. Educational dreams, teenage crush, property quarrels – all add to the middle class mayhem.

    The Bandish Bandit pair of Rajesh Tailang and Sheeba Chaddha are as reliable as ever and portray the challenges of middle class struggles in touching manner. The nightgown & dupatta wearing Sheeba conveys a lot through her eyes and silence. The sibling squabbles feel authentic, with a nice balance of mischief and underlying love. Aditya Shukla as the younger son Bharat steals the show with his natural charm, and Tanya Sharma (Naina) makes a strong impact.

    Despite these performances, the series struggles to leave a lasting mark. The episodes are short, but the writing feels safe, the humour lacks bite, and the warmth never quite envelops you. The climax arrives abruptly, leaving you wishing for more emotional depth and sharper storytelling.

    Final Verdict: A watchable but forgettable middle-class dramedy. Fine for a casual binge, but don’t expect the Gullak-level heart tugs.

  • Kakuda Review: Fresh Fun Folklore Gives Frail Fear

    Kakuda Review: Fresh Fun Folklore Gives Frail Fear

    Kakuda Review: Fresh Fun Folklore Gives Frail Fear

    The horror comedy’s premise is refreshing and interesting: Every Tuesday evening at the designated time, the small door next to the main door needs to be opened by a family male, else the devilish mythical ‘Kakuda’ would strike. The victim would develop a hump and the person dies within 13 days.

    A newly wed couple Sonakshi and Saqib get entangled in the Kakuda folklore when the groom is late to open the door and he is marked for death. Riteish is the ghost hunter, who comes to their rescue and helps to set the house in order.

    The film has a great cast, strong performances and nice comic timing but it fails to make an impact due to weak ghost, half baked plot and hurried ending! Riteish is impressive with excellent acts by Saqib Salem and Sonakshi.

    A nice fun one time watch – Not in the class Stree!

    Disclaimer: The movie was shot at the family establishment of the reviewer.

  • Maharaj Review: Yashrajified Movie Derails Strong Story & Junaid Debut

    Maharaj Review: Yashrajified Movie Derails Strong Story & Junaid Debut

    Maharaj Review: Yashrajified Movie Derails Strong Story & Junaid Debut

    Nothing controversial about the movie – a reiteration of how institutionalised and cult-driven religious practices become the very evil they claim to fight against! Maharaj is indeed an important story that needs to be told!

    The movie is based on the landmark case of 1862 where Gujarati social reformer activist journalist Karsandas Multi (Junaid) exposes religious leader Jadunath Maharaj’s (Jaideep Ahlawat) predatory sexual exploitation and rape of women devotees in the name of ‘Charan Seva’. Karsandas is a progressive liberal who overcomes his personal demons to travel the path of great leaders like Raja Ram Mohan Roy.

    The premise and plot is very strong but forced punchlines and Yashrajification weakens the impact. Aamir Khan’s son Junaid is earnest and does a fine job – impressive start and a brave choice for zero fanfare debut. Jaideep rocks with his solid performance.

    Maharaj – A though provoking movie that fails to make a strong impact!

  • Murder Mubarak: Social Satire Meets Ensemble Whodunnit

    Murder Mubarak: Social Satire Meets Ensemble Whodunnit

    Murder Mubarak: Social Satire Meets Ensemble Whodunnit

    A murder of the gym trainer Leo at a posh Delhi club opens a can of worms. Everyone is a suspect where the dark secrets of Delhi High Society Club patrons are at stake. A charming outsider ACP Bhavani Singh investigates the case in Agastha Christie’s desi Poirot style.

    The best part of the movie is the ensemble cast and loyalty to Anuja Chauhan’s brilliant writing and class satire.

    Pankaj Tripathi is back in action and is effective – just another day for him at the office. Sanjay Kapoor is brilliant and continues his Merry Christmas form as a royal Rannvijay Singh – tipping 20 rupees but packing food to cover his dilapidated ruined status. Karisma Kapoor is equally magical as a former diva and B-grade movie star of C-grade movies. Vijay Varma and Dimple Kapadia are not given due justice and feel wasted – their arc should have been stronger. Sara Ali Khan tries up to keep things moving but she has a long way to go. A lot more characters like Tisca Chopra add colour to the proceedings though in a very fleeting manner.

    The Delhi class divide is beautifully portrayed. “Poor people should die young!” announces Tisca Chopra or the fact that two trainers from Arunachal and Karnataka are called twins. Smart writing exists – ACP Bhavani says “It’s easy to be branded anti-national these days!”

    The movie sticks to its genre and the secretive layers get unveiled gradually to keep us hooked. Though the movie could have done with sharper editing and crisper execution.

    This is no ‘Knives Out’ nor Homi’s own ‘Being Cyrus!’

    Watch it once for Pankaj Tripathi and Idiosyncrasies of Delhi Gentry!

  • Bhakshak: Bhumi’s Stellar Performance In A Hard-Hitting Expose! But Who Cares?

    Bhakshak: Bhumi’s Stellar Performance In A Hard-Hitting Expose! But Who Cares?

    Bhakshak: Bhumi’s Stellar Performance In A Hard-Hitting Expose! But Who Cares?

    Based on the horrific Muzzafarpur shelter home case that rocked the nation in 2018, Bhakshak is a gripping tale of a fearless small town journalist Vaishali. She follows a tip of horrific crimes and painful realities of a shelter home and pursues it relentlessly. The politicians, corrupt cops, bureaucrats and ’system’ live up to their cliche of blocking justice, abusing power and being partners in crime but Vaishali manages to release the victimised girls and ensure justice. 

    Bhumi Pednekar gives a solid performance with her driven and empathetic approach – Afwaah, Bheed and now Bhakshak. Sanjay Mishra as her cameraman and Aditya Srivastava as the criminal perpetrator give a praise worthy performance. 

    The screenplay is solid but editing and writing could be crisper. Clear loopholes and gaps exist but the overall honest intentions overshadow them. 

    The biggest challenge for the movie is the lack of interest and audience fatigue – who cares about child abuse, sexual torture, rape, and murder crime in shelter homes of Bihar? As Bhumi asks: “Doosro ke dard mein dukhi hona bhool gaye hain kya?” Scrolling continues… 

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